If each narrative, as Algirdas J.
Greimas states, has thresholds, then cities too have entrances, borders and
contours. Naples has often been conquered from below, taking advantage of its
ancient Greek aqueduct to enter the city; in fact Naples has an underground and
conspicuous contour with no light, made of age-old, dark waters. For
centuriesmits beauties have been approached by the sea, then inland journey
being long and tiresome. And if the old heart of the city beats without the sun
and sea, as in Caravaggio’s paintings and Anna Maria Ortese’s novels, its
contours, even the most distant ones like those
of the splendid Campi Flegrei, are rather flooded by light. \...\
Carlo Desideri has done a radiograph of its coasts and novelists, pursuing through his photographs those places which have been endlessly described by writers and voyagers.
Nocturnal places like suggestions which surface from the darkness of a virtual canvas. Unusual dwellings and spaces in which the lunar, artificial light seems to blend with the wind to create new forms and original visions,
in which the invisible becomes perceptible...
or perhaps these are simply moods, amplified by the dark.
148 pages, format mm 210 x 300.
The publication is aimed at an audience of amateurs, professionals and artists as a source for further study, debate and anticipation of creative trends.
Roy Kourtney California
Weronika Gęsicka Traces [Saverio Ciarcia]
Matt Henry Murder a Go-Go [Dario Carere]
Kristofer Dan-Bergman [Volti Giusy Randazzo]
Aqua Aura La seduzione dell’ immagine [Alessandro Trabucco]
Stefano Degli Esposti Dell’ immaginazione del mondo [Sergio Labate]
Attilio Scimone La memoria della terra [Alberto Giovanni Biuso]
Magda Kuca La patina della memoria [Saverio Ciarcia]
Harris Mizrahi Inside Out [Oscar Meo]
Julien Hazemann Min gong style [Salvatrice Graci]
An interview by Franco Carlisi
The power of images - Collection Mast
Marco Bastianelli 2017
Giusy Tigano - Director GT Art
Etiopia 1936 [Accursia Vitello]
On the Move, Cortona
Visa pour l’image, Perpignan
Some advices to kill the photojournalism